I Ain’t The Meat, It’s The Motion

Former male porn star Lexington Steele photographed in Atlantic City by Tony Ward. Copyright 2024
Lexington Steele in Atlantic City. Photo: Tony Ward, Copyright 2024

The 1951 song “It Ain’t the Meat (It’s the Motion)” by Lois Mann and Henry Glover has become a classic example of double entendre in popular music. On the surface, the song appears to be a humorous ode to the joys of eating, with its catchy melody and playful lyrics. However, beneath the veneer of innocent food metaphors lies a deeper, more suggestive meaning that explores the themes of sexual desire and satisfaction.

The song’s title itself sets the tone, using the common phrase “it ain’t the meat, it’s the motion” as a clever play on words. While the lyrical content ostensibly describes the pleasures of consuming various dishes, the language employed is rife with innuendo and euphemisms that allude to the act of lovemaking.

Through this clever use of metaphor, the songwriters touch upon the universal human experiences of passion, intimacy, and the pursuit of pleasure. The lyrics celebrate the importance of technique and attentiveness in achieving fulfillment, suggesting that true satisfaction lies not in the superficial aspects but in the nuances and subtleties of the experience itself.

Despite its risqué undertones, the song manages to maintain a sense of lightheartedness and humor, reflecting the playful spirit of the era in which it was written. It serves as a reminder that even in the face of societal constraints and taboos, artists have found creative ways to explore and express the complexities of human desire.

While “It Ain’t the Meat (It’s the Motion)” may have initially raised eyebrows with its cheeky double meanings, it has since become a beloved classic, embraced for its wit, cleverness, and ability to address a subject often shrouded in secrecy or shame with a wink and a smile.

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