Bob Shell: Frustrated With ‘Ancient Aliens’

UFO illustration by artist Dean Rosenzweig
Artwork by Dean Rosenzweig, Copyright 2023

Text by Bob Shell, Copyright 2023

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Frustrated With ‘Ancient Aliens’

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I don’t watch the History Channel’s ‘Ancient Aliens’ programs very often. But I do occasionally watch when there’s nothing else on and I have nothing better to do.

I’ve spent many years of my long life researching UFOs, which are now being called AAPs, ‘Unidentified Aerial Phenomena.’ That is actually a better term, but UFO is deeply planted in our culture by now.

A couple of weeks ago ‘Ancient Aliens’ had a segment about Kenneth Arnold.  Arnold was the man who ignited the flying saucer craze of the late 1940s and -50s. On Tuesday, June 24, 1947 at 2:57 pm, he was flying his small plane in the vicinity of Mount Rainier in Washington State. He was searching for a U. S. Army Air Force C-46 transport airplane that had gone missing in the area.  He was thirty-two years old, and had flown many such search missions as a member of the Idaho Search and Rescue Flyers out of Boise, Idaho. The AAF was offering a $ 5,000 reward for finding the plane, a significant amount of money in 1947.  Arnold had collected a number of rewards for finding lost planes in the past, and was carefully searching below for the airplane.

It was a cloudless day, ideal flying conditions. As he searched, he saw a flash of light reflected on the side of his airplane by something. As he tried to account for the flash, there was a second one. When he looked in the direction the flash had come from, he saw an amazing sight. From the direction of Mount Baker to his north, a formation of bright, gleaming objects was headed toward him at phenomenal speed. Some of them left the formation, flashed in the sunlight, then returned to the formation.
When he first saw them, they were too far away to make out any detail. But they were coming toward him and he was soon able to count that there were nine of them, flying one behind the other, with a larger one in the middle. They were moving faster than any jet.

When they were close enough for him to see detail, he could see no wings or tail like any conventional aircraft had to have. They glowed with a bright bluish white light.

Using known landmarks, he calculated that the string of objects was at least five miles long. Using his watch, he calculated that they’d flown fifty miles in one minute and forty-two seconds, meaning they were traveling in excess of 1700 miles an hour, around Mach 3. In 1947, no human-built aircraft had broken the sound barrier, Mach 1.

Whatever they were, they vanished over the horizon as he watched. But, they were not saucer shaped! I have seen his drawing made that day. They were shaped like straight sided horseshoes with a truncated point in back.
So, where did the term ‘flying saucer’ come from? Arnold said they “flew like saucers when you make them skip on a lake.” Newspaper reporters created the term ‘flying saucer’ when they reported on Arnold’s sighting.
The U. S. Air Force, which was formed as a separate branch of the military coincidentally in 1947, issued a report on Arnold’s sighting, saying they did not believe a man of his “character and apparent integrity” would write a report that he saw objects “if he did not see them.”
So, why did ‘Ancient Aliens’ say that Arnold said the objects he saw were saucer shaped? I have to put it down to ignorance and sloppy research, or maybe a vested interest in having them saucer shaped to fit their mythology.

And, why didn’t they mention that the Air Force found a second witness, an elderly gold prospector, who’d seen the objects fly over him, and made the significant observation that when the objects flew over him “my compass needle went wild.” This is probably the first report of the now-familiar electromagnetic effects produced by UFOs/AAPs.

Last month,  I again caught one of their ‘new’ programs. They showed my old friend Stan Friedman in a clip without telling anyone that the clip was old. Stan has been dead for some years. They reported on Col. Philip Corso, the man at the Pentagon whose job it was to parcel out bits and pieces of the Roswell wreckage to American firms for reverse engineering, only telling them it was ‘foreign’ technology.  I had a telephone conversation with Col. Corso not long before his death. He insisted that what crashed near Roswell wasn’t a ‘spaceship,’ but a ‘time machine.’ But that, too, doesn’t fit ‘Ancient Aliens’ mythology.

Rather than aliens, Corso thought they were ‘us’ from the future, but the program never told its viewers that.  I would advise people who watch ‘Ancient Aliens’ to take those programs with a large dollop of salt. They’re fun, but not serious reporting.

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About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models.  He is serving the 15th year of his sentence at Pocahontas State Correctional Facility, Virginia. To read additional articles by Bob Shell, link here: https://tonywarderotica.com/bob-shell-the-education-of-america/

Fiction: The Tryst

French couple in Paris hotel meeting to have sex
Photo: Tony Ward, Copyright 2023

Text by ChatGBT

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The Tryst

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In the heart of Paris, the city of love and romance, a young French woman named Genevieve stood nervously in front of the ornate drapes that hung in the hotel room. She had agreed to meet her lover, Jean-Michel, for a secret tryst. As she stood waiting, her heart raced with anticipation and excitement.

Jean-Michel had sent her a gift, a beautiful set of lingerie in black satin with matching red bra and panties. She felt like a goddess as she slipped them on, the silkiness of the fabric gliding over her skin.

As she stood waiting, she heard the sound of Jean-Michel’s key turning in the lock. Her breath caught in her throat as he walked in, a look of desire in his eyes.

Without a word, he pulled out his camera and began snapping photos of her. Genevieve felt a rush of excitement as she struck a pose, her lips pouting seductively, while seated at the rooms vanity.

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Beautiful young french woman seated at a vanity at a hotel in Paris wearing red lingerie
Photo: Tony Ward, Copyright 2023

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Jean-Michel captured every moment, the passion and lust palpable in the air. As she posed, Genevieve felt a sense of liberation, as if all her inhibitions had melted away.

Afterwards, they spent the night exploring each other’s bodies, the photos serving as a memento of their intimate moment together.

As Genevieve left the hotel the next morning, she knew that the memory of that night would stay with her forever. The photographs would serve as a reminder of the passion and desire she shared with Jean-Michel, a moment in time frozen forever on film. 

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Beautiful french woman kneeling on a bed in an old Paris hotel checking out her breasts
Photo: Tony Ward, Copyright 2023

Tony Ward: A Tribute to Helmut Newton

tall nude beautiful model photo by Tony Ward
A Tribute to Newton. Photo: Tony Ward, Copyright 1993

Text by Tony Ward, Copyright 2023

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A Tribute to Helmut Newton

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Like most photographers of my generation who got involved in photography in the early 1970’s I was influenced by the work of Helmut Newton.  I came across his photography in 1977 while visiting a fashion exhibition at the George Eastman House in Rochester, New York. It was a group show that also included the work of Richard Avedon, Irving Penn, Chris von Waggenheim, Hiro and other giants of fashion photography during that era.

I had the pleasure of meeting Helmut Newton and his wife June in Paris in the year 2000 while Helmut and I coincidentally were both checking in at the swanky Royal Monceau., located in the 8th arrondissement. Helmut was known for staying at the luxurious hotel when on assignment in Paris.

For those that are not familiar with his work, Helmut Newton was a German-Australian photographer who rose to fame in the 1960s for his provocative and controversial fashion photography. Born in Berlin in 1920, he spent his early years studying photography at the School of the Museum of Fine Arts in Berlin.

During World War II, Newton fled to Australia, where he began his career as a photographer and also was where he met June, who became a lifelong companion. He worked for various fashion magazines and advertising agencies, developing a unique style that was both erotic and dramatic.

Newton’s work often featured female models in fetishistic poses, and his use of high contrast lighting and bold compositions made his images stand out. His photographs were often criticized for their objectification of women, but Newton maintained that he was celebrating female power and sexuality.

In the 1970s, Newton moved to Paris, where he continued to work for top fashion magazines such as Vogue and Harper’s Bazaar. He became known for his portraits of famous celebrities, including Mick Jagger, David Bowie, and Salvador Dali.

Newton’s photographs often had a cinematic quality, with their use of strong narrative elements and dramatic lighting. He also experimented with new techniques, such as the use of Polaroid film and large-format cameras, which gave his images a unique and timeless quality.

In the 1990s, Newton published a series of books that showcased his work, including “Sumo,” a limited-edition volume that weighed 66 pounds and was the largest book ever produced at the time. He continued to work until his death in 2004, when he was killed in a car accident in Los Angeles at the Chateau Marmont Hotel.

Despite the controversy surrounding his work, Helmut Newton remains one of the most influential fashion photographers of the 20th century. His images continue to inspire and challenge viewers, and his legacy lives on through the many photographers he has influenced including myself.

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For additional articles by Tony Ward, click herehttps://tonywarderotica.com/erica-and-the-dungeon/

Erica and The Dungeon


Text and Photographs by Tony Ward, Copyright 2023

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Erica and The Dungeon

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I don’t remember Erica that well.  I only shot with her once.  There was a guy she was with, presumably her boyfriend made arrangements for her to meet me at the dungeon. 

Getting to any dungeon is a process. You have to know certain people.  The folks that operate a fetish dungeon operate on the edges of what is lawfully allowed to function in some states in the US.  In Philadelphia, the location of this particular dungeon some 20 years ago was operated by a friend of mine that I met taking pictures at a fetish party in the early 1990’s. He had a distinguished look about him. An older man in comparison to the young men and women he was often assigned to photograph.  They were part of the Philadelphia underground scene, the raves, fetish parties, Electric Factory events that were off the chain you would see him there.

We became friendly enough do to the mutual respect we had for each others work.  When he learned through the grapevine that I was producing pictures for Larry Flynt’s Taboo Magazine, I found out that the photographer by day was a dungeon manager at night.

I had to go through quite a process just to enter the place.  The location was a secret and you had to be trusted to even get close to the front door.  I was told to call him from a phone booth that he could see from outside of the dungeon’s window.  There would be a wave and then I had to be at the disclosed entrance within a matter of seconds or I was told he wouldn’t let me in.  Once I got through the protocol, the shoot with Erica began and ended with the model seated on a faux electric chair. The dungeon master made a cameo at the end of this most memorable series.

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To access additional articles by Tony Ward, click herehttps://tonywarderotica.com/tony-ward-diary-the-early-nudes/

Amsterdam: The Deck

Two dutch women of different generations pose nude on Amsterdam rooftop
The Roof Deck. Photo: Tony Ward, Copyright 2023

Photography and Text by Tony Ward, Copyright 2023

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Amsterdam: The Deck

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Whenever it was a sunny day which at times seemed too few and far between, Amsterdam street cafes and private decks were the place to visit with friends.  When the sun was out, everyone was always in a good mood,  no matter what personal circumstances may have brought gloom and doom on any given day. My friends used to say whenever Tony is in town the sun is shining.  I was lucky that way.

On this particular sunny afternoon, old friends from different generations were amongst the first native women in Holland I came to know.  Ellen, the woman being photographed with a flip phone, owned a lovely lingerie shop called Female & Partners in Amsterdam’s city center in 1999.  I was referred to visit the shop when I called upon a stylist and asked  for a recommendation for a store that sold unique lingerie sets as I was preparing for a new series of photographs for a magazine article about my erotic work in Europe.  When I entered the exclusive women’s boutique the young woman taking the picture was behind the counter.  Not quite like the way she looks in this picture but close.  She had the most adorable face and Dutch accent that I couldn’t help but ask to photograph her while she was behind the register. From that point on we kept in touch and would see each other around town within our circle of friends.

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two hot dutch women on an Amsterdam roof top one is naked
Sita and Ellen, Amsterdam 2003. Photo: Tony Ward, Copyright 2023

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Four years later in 2003, Ellen, the woman being photographed in these pictures was the original owner of the shop.  I didn’t meet her on the first day of my visit years earlier, but we later met through friends and enjoyed each others company.  Whenever I was in town it was a delight to meet up with Ellen for drinks and hear all of the latest insider gossip. She was truly a free spirit and exuded a certain joie de vivre. She defined Dutch beauty at any age.  I can’t recall why Ellen and Sita came over to the apartment that day.  Maybe it was purely just to enjoy the sun. get naked and take a few pictures with my new toy, a Nikon Coolpix digital camera.  These are amongst the first images I produced with the new digital medium. Nowadays, I’m using a pocket size Sony mirrorless camera.

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Portrait of two dutch women on Amsterdam rooftop. One is nude
Photo: Tony Ward, Copyright 2023

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To access additional articles by Tony Ward, click herehttps://tonywarderotica.com/tony-ward-diary-the-early-nudes/